Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to the work of Colombian artist Beatriz González. She grew up in Colombia in the 40s and 50s, during an era of … The full text of the article is here →, https://en.wikipedia.org/wiki/Beatriz_Gonzalez, Sketch for Elementary Landscapes: Fire in the Sierra, Señor presidente, qué honor estar con usted en este momento histórico. “The idea of taking images from everyday reality runs through my whole career,” says González. cat. [2], Beatriz González was born in Bucaramanga, Colombia in 1938. The artist co-opted these widely-circulated pictures of mothers, children, saints, and other sentimental figures as a way to question taste, both in popular culture and in her avant garde art circles. [6], In 1985 González's work took a dramatic stylistic shift from its vibrant colors and shapes, to more dark imagery. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. Retrospective 1965–2017, Beatriz González's exhibition at KW Institute for Contemporary Art in Berlin (13 October 2018–6 January 2019), presents a selection of 120 works that bear witness to Colombia's political and social upheavals of the last 50 years. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. During this time she produced a series of ink drawings on the same theme, that were tabloid photos of crimes of passion and political murders as well as advertisements for everything from bodybuilding to headache cures.[9]. Curated by Mari Carmen Ramírez and Tobias Ostrander, Beatriz González: The Master consists of 100 works, the majority of which are paintings, but also sketches and illustrations. González intentionally chose this particular work by da Vinci because of its popularity in Colombian culture, this image was commonly placed above the main entrance door as a good-luck charm against thieves. Available for sale from Nohra Haime Gallery, Beatriz González, Viva Mexico (1982), Metal, 12 2/5 in Find more prominent pieces of figurative at Wikiart.org – best visual art database. [3] In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. [2], In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Notably influenced by both the colorful character of pop art and the wide spectrum of Colombian local art, the painting and sculpture of Beatriz González explores political, social, and romantic subjects with equal insight. Beatriz González was born in Bucaramanga, Colombia in 1938. Beatriz González: A Retrospective presents more than 130 works, culled from the artist’s career from the early 1960s to now. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Beatriz González was born in Bucaramanga, Colombia in 1938. For me the type of art that I was doing could only circulate internationally as a curiosity. In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. 10 Colombian Artists Who Are Shaping Contemporary Art. The full title of this work is Nací en Florencia y tenía 26 años cuando fue pintado mi retrato (esta frase pronunciada en una voz dulce y baja), translated to I was born in Florence and was 26 years old when my portrait was painted (this phrase pronounced in a low, sweet voice). Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. Based in Bogotá, González (born 1938) is not only an internationally celebrated artist but also one of the few living representatives of the “radical women” generation from Latin America. [8], One of González's most well known and earliest works depicts a young couple standing holding hands with one other and a bouquet of flowers with a slight smile on their faces. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. Museo de Arte Moderno. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. Resources. She studied fine arts at the Universidad de los Andes in Bogotá and print-making at the Rijksakademie van Beeldende Kunsten in Amsterdam. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. [6], This work consisted of an image of a mother holding her child that was based on a picture that was widely printed and distributed by a printing company in Colombia. When her new exhibit, “Beatriz González: a Retrospective,” opens at the Peréz Art Museum Miami April 19, it will be the first large-scale U.S. retrospective of … View Beatriz González’s artworks on artnet. The Latin American Women Artists Who Fought Patriarchy with Their Bodies. This work was one of González's first furniture pieces out of her series of furniture works. Beatriz González: A Retrospective. Beatriz González. González is often associated with the Pop Art movement. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. This was after the M-19 guerrilla attack on the Palace of Justice in an attempt to try to president, they left 94 dead. At 81, González is not only an internationally celebrated Colombian artist but also one of the few extant representatives of the so-called “radical women” generation from Latin America. This painting was based on a photo that originally appeared in the press of a couple who commissioned a professional photographer to take their portrait before jumping off the dam of the Sisga on the outskirts of Bogotá. Beatriz González is a Colombian painter, associated with the Pop Art movement. Their work was featured in numerous exhibitions at key galleries and museums, including the Brooklyn Museum of Art and the Benaki Museum of Greek Culture.Beatriz González's work has been offered at auction multiple times, with realized prices ranging from $3,509 USD to $137,500 USD, depending on … She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. "[5], She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. Beatriz González is a Colombian painter, associated with the Pop Art movement. «La política de Beatriz González». Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. Beatriz González: A Retrospective was the first large-scale U.S. retrospective of the work of Bogotá-based artist Beatriz González (b. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. [1] González is often associated with the Pop Art movement. Available for sale from Alonso Garcés Galería, Beatriz González, Ay Jerusalem, jerusalem (1969), Esmalte sobre lámina de metal, 100 × 120 cm When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. Auction Records. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … “The idea of taking images from everyday reality runs through my whole career,” says González. Find more prominent pieces of figurative at Wikiart.org – best visual art database. Beatriz Gonzalez (Born 1936) Beatriz Gonzalez is active/lives in Columbia. Beatriz Gonzalez is known for painting. Bea González (Vhea)'s Portfolio. Sep 21st, 2017. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. [2][7], When she painted three Colombian presidents (Julio César Turbay Ayala, Carlos Lleras Restrepo, and Belisario Betancur) wearing Native Amazonian headdresses next to a Native Amazonian, many interpreted it as a portrayal of their inefficiency as presidents. González is often associated with the Pop Art movement. In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Digital and traditional art The picture was sent to their families, and when the news broke it was widely reprinted in black and white in the local newspapers. Artprice.com's price levels for this artist … This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". Buy / Sell. The painter, art historian, and critic Beatriz González was born in Bucaramanga, Colombia, in 1938. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. [3] González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. Beatriz González: A Retrospective. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. The Artist. Beatriz GONZALEZ (1938) (Colombia) is an artist born in 1938 The oldest auction result ever registered on the website for an artwork by this artist is a furniture sold in 1989, at Sotheby's, and the most recent auction result is a painting sold in 2020. Spanish Illustrator. Pérez Art Museum Miami, April 19–September 2, 2019; Museum of Fine Arts Houston, October 27, 2019–January 20, 2020. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). She grew up in Colombia in the 40s and 50s, during an era of … Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). Exh. After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. Exhibition organized by Tobias Ostrander and Mari Carmen Ramírez. González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. Overview . She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. She returned to Bucaramanga in 1958. Beatriz González Reveals the Politics and Painting of Colombia The artist's first United States retrospective arrives at the MFAH with a pop of color. González claimed that she was attracted to this picture due to its "bad quality" or more so its plain quality, the simplification of the facial features that were almost deformed by the discrepancy. 1938, Bucaramanga, Colombia). [3], González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. Articles Featuring Beatriz González. She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. She used the location of the would be mirror to frame her work so when the viewers look at the work they see an image of beauty recreated in a cheap, reproduced style. See all articles “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). [11], Nací en Florencia (I was born in Florence). Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). November 30, 2020 • Beatriz González on art history, bad taste, and the search for memory Beatriz González, Los After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. [4], Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. More than 100 pieces are on display in the first large-scale exhibition dedicated to González. [5] This painting was the first of a number of paintings done by González in the 1960s in which she explored the intense violence in Colombia. Beatriz González might not be keen on the idea, but museum visitors considering her work for the first time could see her as a Latin American Andy Warhol, Jasper Johns or … The couple were two young farmers who were deeply in love, but in an effort to preserve the purity of their love, the man (who was suspected to be mentally insane) convinced his girlfriend to commit suicide as a way to show their religious devotion in not wanting to sully the woman's purity. González is often associated with the Pop Art movement. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. This work – included in the Museo Reina Sofia’s retrospective of Beatriz González curated by María Inés Rodríguez, on until September 22 nd – hangs as a backdrop to a collection that, at first glance, could be a furniture store. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. Beatriz González Museo de Arte Miguel Urrutia After earlier presentations at the Museum of Fine Arts, Houston, and the Pérez Art Museum Miami, this retrospective—the most comprehensive showing to date of the work of Beatriz González, one of the most influential living Colombian artists— finally arrived at the Museo de Arte Miguel Urrutia in Bogotá. The theme of mother and child was one that commonly occurred in her artwork thus turning González herself into an image of maternity. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. Mine was a provincial type of art without horizons, confronting the everyday: art is international. The Artsy Vanguard 2019: 50 Artists to Know Right Now. Oct 27th, 2020. González is often associated with the Pop Art movement. [2], After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. The long title of the work is in an additional effort to reveal its humorous and a potentially slightly erotic intent. "Meet Beatriz Gonzalez, Colombia's Queen of Pop Art | Amuse", "Artist interview: Beatriz González | Tate", "ART REVIEW; A Wry Defiance Behind Garish Colors and Tabloid Dramas", https://en.wikipedia.org/w/index.php?title=Beatriz_Gonzalez&oldid=992989157, University of Los Andes (Colombia) alumni, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, The Suicides of Sisga I, II and III, La Última Mesa, Nací en Florencia, What an Honor to Be With You at This Historic Moment, Works 1965-1997, 1998, El Museo del Barrio, documenta 14, Athens, Greece and Kassel, Germany, 2017, This page was last edited on 8 December 2020, at 05:18. In the early 1970s she began to incorporate mass-produced items in her work. The painting was painted on a sheet of metal that was then mounted on the inside of a crib that González found in the streets of Bogóta that originally belonged to a hospital. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. Mine was a provincial type of art without horizons, confronting the everyday: art is international." She returned to Bucaramanga in 1958. Artwork page for ‘The Last Table’, Beatriz González, 1970 González stood out from her contemporaries as one of the first artists in Colombia to draw inspiration from the mass media, creating dialogue between popular narratives and formal painting. Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. Auction Records (3) Medellín-Colombia (2015). González is often associated with the Pop Art movement. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. Tobias Ostrander and Mari Carmen Ramírez. She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. Feeling that she couldn't laugh after that event, she began to explore themes of death and the drug trade as well as exploring some of Colombia's most tragic events. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). [10] In this case, she intentionally takes all of the shadows and duller colors that made this work more European, and animated it more in hopes of making it more uniquely Latin American. After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. In this work, González placed her own painting of da Vinci's Mona Lisa where the mirror would be on a very large and elaborate antique coat rack. It consisted of Leonardo da Vinci's Last Supper work that had been repainted onto metal sheets that were them mounted on a faux-wood dining table. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … For me the type of art that I was doing could only circulate internationally as a curiosity. “Beatriz González: A Retrospective” will be on display at the Museum of Fine Arts until January 20. Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. [5] This work along with many of the others out of her furniture works had the intention of being a "representation of representations" not only through an effort to make universal art, but also to subvert the original function of the furniture itself. Beatriz González. View Beatriz González’s artworks on artnet. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. … Sep 16th, 2019. 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